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1. James Ensor by Luc Tuymans
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Royal Academy PublicationsDescription
James Ensor (18601949) produced some of the most unusual paintings of the late 19th and early 20th centuries. Marked by psychological complexity, contradictions, and sheer eccentricity, his worksfeaturing such bizarre subject matter as dressed-up skeletons and macabre carnival maskshave continued to baffle and intrigue in equal measure. Ensor was born in Ostend, Belgium, and despite his success barely left his home town during his lifetime; his familys curio shop, which was filled with exotic objects including parrots, a monkey, and masks from around the world, surely influenced the imagery of his mature work. In this volume, published to accompany a major exhibition, essays explore Ensors life and legacy, while leading contemporary artist Luc Tuymans comments on his selection of Ensors works, offering a distinctive view of Ensor, one only another artist can provide.2. James Ensor
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Used Book in Good ConditionDescription
James Ensor's painting of 1887, "The Temptation of St. Anthony," now in The Museum of Modern Art's collection, established the artist as one of the boldest painters of all his contemporaries. Ensor (1860-1949) was a major figure in the Belgian avant-garde of the late nineteenth century and an important precursor to the development of Expressionism in the early twentieth, yet his work is underappreciated in the United States, and far too little seen. This striking volume, published on the occasion of Ensor's major 2009 exhibition in New York, gives the artist the attention he so greatly deserves. It presents approximately 90 works, organized thematically, examining Ensor's Modernity, his innovative and allegorical approach to light, his prominent use of satire, his deep interest in carnival and performance and, finally, his own self-fashioning and use of masking, travesty and role-playing. Works in the full range of his media--painting, printing and drawing--are presented in an overlapping network of themes and images to produce a complete picture of this daring body of art. The most comprehensive volume on the artist available in English, this remarkable, scholarly volume reveals Ensor as a socially engaged and self-critical artist involved with the issues of his times and contemporary debates on the very nature of Modernism.3. James Ensor: The Complete Paintings
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Coinciding with renewed interest in James Ensor, this catalogue raisonn comes as an essential and definitive volume for Ensor buffs and all serious libraries of modern art. A legend in his own lifetime, Ensor (1860-1949) was--alongside Vincent van Gogh and Edvard Munch--a fearless independent whose work led directly to the development of German Expressionism and French Surrealism. Ensor achieved fame as the "painter of masks," and for his bizarre still lifes and grotesque carnival scenes, in harsh, contrasting, brilliant colors, evolving out of the traditional Flemish dance of death. Now, the reader can explore the Belgian painter's oeuvre thoroughly, in this opulently illustrated, full-color, slipcased catalogue raisonn. A comprehensive illustrated chronology offers additional details about the artist's life and work, and forms an integral part of this splendid, highly valuable contribution to art historical research, ensuring the legacy of a great artist who continues to inspire contemporary art.4. The Hidden World of James Ensor Book of Revelations
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An illustrated guide to the hidden world of James Ensor, presenting visual examples rather than text-reliant explanations. This independently researched and published book (strictly limited to an edition of 500, each copy individually numbered) rejects institutional dogma and provides a new basis for thinking about the work of James Ensor, Belgium's most lauded painter. Tom Jacobson reveals hidden facets of Ensor's work that not only fly in the face of pre-established notions but provide a path for reinterpreting Ensor's early and late periods. Packed with 54 full-color illustrations and accompanied by 26 supplemental discoveries in text, these remarkable examples beg the question: How has this aspect of Ensor's art gone undetected for so long? Jacobson's immense investigation brings the reader the private pleasure of uncovering and redefining an artist.5. Ensor (Basic Art Series 2.0)
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EnsorDescription
Maverick master:An enigmatic world of masks and the macabre
An expressionist before the term was coined,James Ensor(18601949) was the classic insider-outsider enigma. He knew all the right art-world figures but loathed most of them. His style lurched from the Gothic fantastical to the Christian visionary. He was a cosmopolitan trailblazer of modernism, but lived reclusively in an attic room in the resort town of Ostend.
For all his elusivness, Ensor influenced generations of artists through his vivid, often gruesome, paintings, prints, and drawings. He is cited in particular for his use ofdark satireandallegory, his innovativelighting, and for his interest in carnival and performance, showcased inThe Entry of Christ into Brussels in 1889as well as in his repertoire of self-portraits in which he adoptsmasking, travesty, and role-playingto adopt such varied guises as Christ on the cross and a cross-dressing dandy.
This introduction to Ensor explores the richness and variety of his imagery through key examples of his macabre, maverick oeuvre.
For all his elusivness, Ensor influenced generations of artists through his vivid, often gruesome, paintings, prints, and drawings. He is cited in particular for his use ofdark satireandallegory, his innovativelighting, and for his interest in carnival and performance, showcased inThe Entry of Christ into Brussels in 1889as well as in his repertoire of self-portraits in which he adoptsmasking, travesty, and role-playingto adopt such varied guises as Christ on the cross and a cross-dressing dandy.
This introduction to Ensor explores the richness and variety of his imagery through key examples of his macabre, maverick oeuvre.
About the Series:
Each book in TASCHENs Basic Art series features:
Each book in TASCHENs Basic Art series features:
- a detailed chronological summary of the life and oeuvre of the artist, covering his or her cultural and historical importance
- a concise biography
- approximately 100 illustrations with explanatory captions
6. James Ensor: The Temptation of Saint Anthony (Art Institute of Chicago)
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This engaging volume describes the creation and restoration of the extraordinary large-scale drawing The Temptation of Saint Anthonya work by late 19th-century Belgian artist James Ensor (18601949)on the occasion of its first public showing in more than 60 years. The piece is composed of 51 separate sheets of paper collaged into a hallucinatory social critique and artists manifesto. Each sheet of the nearly six-foot-high work is reproduced at actual size, revealing Ensors remarkable technique and fertile imagination. Here, Saint Anthony is surrounded not with nature, as customary, but with the moral decay of society. Replete with tiny scenes depicting both sexual temptation and spiritual piety, Ensor splices potent imagery from travelogues, popular science, and technology magazines into a Symbolist masterpiece. Susan M. Canning, Patrick Florizone, and Nancy Ireson analyze the drawings meaning; Herwig Todts details its origins and early history; and Kimberly J. Nichols recounts the works restoration.
7. James Ensor: From the Royal Museum of Fine Arts Antwerp and Swiss Collections
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Phantoms, skulls, skeletons and other macabre figures populate the paintings, drawings and prints of James Ensor. His works are bizarre, ironic, occasionally belligerent and provocative, but always buoyed by a keen sense of humor, and his nightmarish motifs reveal the absurd and grotesque about everyday life. Ensors interests were wide-ranging; he was as enthusiastic about Rembrandts prints as he was about the Belgian Carnival festival and Japanese masks. In turn, early twentieth-century artists such as Alfred Kubin, Paul Klee and the German Expressionists Emil Nolde and Ernst Ludwig Kirchner were inspired by his creative power and radical rejection of traditional European ideals of beauty. This volume presents nearly 60 paintings and an equal number of drawings, which are published here for the first time.James Ensor (18601949) was born in Brussels where he studied at the Acadmie Royale des Beaux-Arts. He first exhibited his work in 1881, and received his first solo exhibition four years later. Despite initial attacks in the press, Ensor quickly found favor in his native Belgium. By 1920 he was the subject of major exhibitions; in 1929 he was named a baron by King Albert; and in 1933 he was awarded the Lgion dhonneur. Ensor rarely left Belgium, and endeared himself to the people of Ostend, where he spent most of his life, as a familiar figure about town.
8. James Ensor, 1860 - 1949, Masks, Death, and the Sea (Basic Art)
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Used Book in Good ConditionDescription
There is hardly another artist of the fin de sicle whose work is as various, bizarre, and open to so many interpretations as that of the Belgian artist James Ensor. As he himself recognized, he was an exceptional phenomenon as a painter.
9. James Ensor: Life and Work
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Norbet Hostyn, curator of the Museum of Fine Art in Ostend, has produced a fascinating and comprehensive account of the world and ideas of the by turns celebrated and vilified James Ensor (1860-1949). He offers an illuminating introduction to the artist's life and oeuvre, accompanied by a selection of fifty representative works, each comprising a large, colour reproduction and an art-historical commentary. It is the story of a striking and controversial painter who was initially the focal point of a new school, but later became an eccentric with a finely tuned sense of image and business.10. James Ensor: Christ's Entry into Brussels in 1889 (Getty Museum Studies on Art)
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