Top 8 recommendation beatles vinyl abby road

Finding the best beatles vinyl abby road suitable for your needs isnt easy. With hundreds of choices can distract you. Knowing whats bad and whats good can be something of a minefield. In this article, weve done the hard work for you.

Best beatles vinyl abby road

Product	Features	Editor's score	Go to site
	The Beatles 1967-1970 [2 LP]		Go to amazon.com
	Yellow Submarine [7"][Picture Disc]		Go to amazon.com
	Abbey Road		Go to amazon.com
	Let It Be Naked [Vinyl]		Go to amazon.com
	Revolver		Go to amazon.com
	VinylShopUS - Mystery Box Vinyl Records Music Albums LPS Bulk Lot Randomly Chosen Vintage Original LPs With Sleeves Lot of 20		Go to amazon.com
	Please Please Me		Go to amazon.com
	Magical Mystery Tour		Go to amazon.com

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1. The Beatles 1967-1970 [2 LP]

Feature

Shrink-wrapped

Description

This classic Beatles compilation spanning the years 1967-1970 is now available on 180 gram vinyl.
The vinyl has been cut from the original analog masters and the packaging is faithful to the original artwork. Originally released in 1973, the 'Blue' collection was released in conjunction with the 'Red' compilation, which focused on the band's earlier years, 1962-1966.

2. Yellow Submarine [7"][Picture Disc]

Description

To celebrate its 50th Anniversary, The Beatles Yellow Submarine will be issued as a limited edition 7 single picture disc.

3. Abbey Road

Feature

Shrink-wrapped

Description

The Beatles' acclaimed original studio album remasters, released on CD in 2009, make their long-awaited stereo vinyl debut

Manufactured on 180-gram, audiophile quality vinyl with replicated artwork, the 14 albums return to their original glory with details including the poster in The Beatles (The White Album), the Sgt. Pepper's Lonely Heart Club Band's cut-outs, and special inner bags for some of the titles

The titles include The Beatles' 12 original UK albums, first released between 1963 and 1970, the US-originated Magical Mystery Tour, now part of the group's core catalogue, and Past Masters, Volumes One & Two, first released individually in 1988, featuring non-album A-sides and B-sides, EP tracks and rarities. With this release, The Beatles' first four albums make their North American stereo vinyl debuts

There has always been demand for The Beatles' albums on vinyl. Indeed, 2011's best-selling vinyl LP in the United States was Abbey Road. Following the success of The Beatles' acclaimed, GRAMMY Award-winning 2009 CD remasters, it was decided that the sound experts at EMI's Abbey Road Studios should create new versions of The Beatles' vinyl LPs. The project demanded the same meticulous approach taken for the CD releases, and the brief was a simple one: cut the digital remasters to vinyl with an absolute minimum of compromise to the sound. However, the process involved to do that was far from simple

The first stage in transferring the sound of a master recording to vinyl is the creation of a disc to be used during vinyl manufacture. There were two options to consider. A Direct Metal Master (DMM), developed in the late seventies, allows sound to be cut directly into a stainless steel disc coated with a hard copper alloy. The older, alternative method is to cut the sound into the soft lacquer coating on a nickel disc - the first of several steps leading to the production of a stamper to press the vinyl

A 'blind' listening test was arranged to choose between a 'lacquer' or 'copper' cut. Using both methods, A Hard Day's Night was pressed with ten seconds of silence at the beginning and end of each side. This allowed not only the reproduction of the music to be assessed, but also the noise made by the vinyl itself. After much discussion, two factors swung the decision towards using the lacquer process. First, it was judged to create a warmer sound than a DMM. Secondly, there was a practical advantage of having 'blank' discs of a consistent quality when cutting lacquers

The next step was to use the Neumann VMS80 cutting lathe at Abbey Road. Following thorough mechanical and electrical tests to ensure it was operating in peak condition, engineer Sean Magee cut the LPs in chronological release order. He used the original 24-bit remasters rather than the 16-bit versions that were required for CD production. It was also decided to use the remasters that had not undergone 'limiting' - a procedure to increase the sound level, which is deemed necessary for most current pop CDs

Having made initial test cuts, Magee pinpointed any sound problems that can occur during playback of vinyl records. To rectify them, changes were made to the remasters with a Digital Audio Workstation. For example, each vinyl album was listened to for any 'sibilant episodes' - vocal distortion that can occur on consonant sounds such as S and T. These were corrected by reducing the level in the very small portion of sound causing the undesired effect. Similarly, any likelihood of 'inner-groove distortion' was addressed. As the stylus approaches the centre of the record, it is liable to track the groove less accurately. This can affect the high-middle frequencies, producing a 'mushy' sound particularly noticeable on vocals. Using what Magee has described as 'surgical EQ,' problem frequencies were identified and reduced in level to compensate for this

The last phase of the vinyl mastering process began with the arrival of the first batches of test pressings made from master lacquers that had been sent to the two pressing plant factories. Stringent quality tests identified any noise or click appearing on more than one test pressing in the same place. If this happened, it was clear that the undesired sounds had been introduced either during the cutting or the pressing stage and so the test records were rejected. In the quest to achieve the highest quality possible, the Abbey Road team worked closely with the pressing factories and the manufacturers of the lacquer and cutting styli

An additional and unusual challenge was to ensure the proper playback of the sounds embedded in the 'lock-groove' at the end of side two of Sgt. Pepper's Lonely Hearts Club Band. Requiring a combination of good timing and luck, it had always been a lengthy and costly process to make it work properly. In fact, it was so tricky, it had never been attempted for American pressings of the LP. Naturally, Sean Magee and the team perfected this and the garbled message is heard as originally intended on the remastered Sgt. Pepper LP.

4. Let It Be Naked [Vinyl]

Feature

LABEL EMI
180 GRAM VINYL RECORDS - 2-LP - SEALED
LP1
1.Get Back 2.Dig A Pony
3.For You Blue 4.The Long And Winding Road
5.Two Of Us 6.I've Got A Feeling
LP2
1.One After 909 2.Don't Let Me Down
3.I Me Mine 4.Across The Universe
5.Let It Be
LP3
1.Fly On The Wall: Conversation: Sun King / Don't Let Me Down 2.Conversation: One After 909
3.Conversation: Because I Know You Love Me So 4.Conversation: Don't Pass Me By / Conversation:Taking A Trip To Carolina / Conversation: John's Piano Piece
5.Conversation: Child Of Nature / Back In The Ussr 6.Conversation: Every Little Thing / Don't Let Me Down
7.Conversation: All Things Must Pass
LP4
1.Conversation: She Came In Through / The Bathroom Window
2.Conversation: Paul's Piano Piece
3.Conversation: Get Back
4.Conversation: Two Of Us / Conversation: Maggie Mae / Conversation: Fancy My Chances With You
5.Conversation: Can You Dig It?
6.Conversation: Get Back

Description

Australian limited edition 2 LP set. In its original form, "Let It Be" signaled the end of an era, closing the book on the Beatles, as well as literally and figuratively marking the end of the '60s. The 1970 release evolved from friction-filled sessions the Beatles intended to be an organic, bare-bones return to their roots. Instead, the endless hours of tapes were eventually handed over to Phil Spector, since neither the quickly splintering Beatles nor their longtime producer George Martin wanted to sift through the voluminous results. "Let It Be...Naked" sets the record straight, revisiting the contentious sessions, stripping away the Spectorian orchestrations, reworking the running order, and losing all extemporaneous in-studio banter. On this version of the album, filler tracks ("Dig It," "Maggie Mae") are dropped, while juicy B-side "Don't Let Me Down" is added. The most obvious revamping is on the songs handled heavily by Spector. Removing the orchestrations from "The Long and Winding Road" and "Across the Universe" gives Paul McCartney's vocals considerably more resonance on the former, doing the same for John Lennon's voice and guitar on the latter. This alternate take on "Let It Be" enhances the album's power, reclaiming the raw, unadorned quality that was meant to be its calling card from the beginning. EMI. 2005.

5. Revolver

6. VinylShopUS - Mystery Box Vinyl Records Music Albums LPS Bulk Lot Randomly Chosen Vintage Original LPs With Sleeves Lot of 20

Feature

MYSTERY BOX contains randomly chosen vinyl records in good and playable conditions
VARIOUS GENRES may be found in this lot. Blues, rock, jazz, rnb, hip-hop, pop, sould, disco, country genres are most common ones
COMPLETE WITH SLEEVES so you can preserve them without scratching or scuffing
COLLECTION STARTER for those who are into vintage items original recordings or nostalgia of music

Description

Mystery Box Vinyl Records Music Albums LPS Bulk Lot Randomly Chosen Vintage Original LPs With Sleeves Lot of 20 We stock a large quantity of Vinyl Records that need a new home and creative touch to transform it into something new or just enjoy it on the turntable. All the records in this lot are playable. Different genres include jazz, easy listening, country, big band, soft rock, soul, funk, classical and others. These records vary in condition, pictures represents handful of records pulled out randomly out of thousands available. You can either play them or use them for art project or a craft project, whatever you might need it for. If you need any more records please let us know. We have thousands of them in the warehouse.All records will be full length albums. Records are completely random. Some artists have R rated covers and songs might be for mature audience only.

7. Please Please Me

8. Magical Mystery Tour

Conclusion

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