Top 10 delphine galou
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Best delphine galou
1. Agitata
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GRAMOPHONE CLASSICAL MUSIC AWARDS 2018 CATEOGRY WINNER - RECITALDelphine Galou is renowned and admired for her musicality and her appealing timbre. She has taken part in many productions of Baroque music and recordings of operas (notably by Vivaldi), but this is her first recital. It is a programme of sacred music, motets, cantatas and excerpts from oratorios, which in the course of the seventeenth and eighteenth centuries were influenced by the increasingly fashionable genre of opera. From the famous 'Agitata infido flatu' from Vivaldi's oratorio Juditha triumphans, here counterpointed by an aria from another setting of the story of Judith composed by Jommelli, to Stradella's Lamentations and Porpora's magnificent motet 'In procella sine stella', Delphine Galou covers a wide range of spiritual emotions. She is accompanied by the excellent Accademia Bizantina under its director and harpsichordist Ottavio Dantone. A concerto byGregori and a sinfonia by Caldara complete this release, which includes several world premiere recordings.
2. Vivaldi: Orlando furioso (1714)
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The rediscovery of a new Vivaldi opera! Orlando furioso is Vivaldi's most famous operas dating from 1727 . . . But today the specialists of the Venetian composer's catalogue are able to reveal that Vivaldi actually composed another Orlando furioso thirteen years earlier! Orlando furioso of 1714 now achieves a new lease of life under a catalogue number that has just been assigned to it: RV 819. Only two acts have survived. A baritone unlike the 1727 version sings Orlando.3. Les Contraltos
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An hour of music featuring highlights from Vivaldi (Gloria and operas), Bizets Carmen, Bachs B minor Mass, Hahns LHeure exquise, Schumanns Liederkreis, etc. Both warm and dark, the voice of contralto offers fascinating colors to many musical universes. This CD gathers baroque, classical and romantic hits performed by some of the most prestigious contemporary contralto voices: Sara Mingardo, Nathalie Stutzmann, Marie-Nicole Lemieux, Sonia Prina and Delphine Galou.4. Agostino Steffani: Niobe, regina di Tebe
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A world-famous court composer during his lifetime, Agostino Steffani (1654-1728) exercised a significant influence on the likes of Handel, J.S. Bach and Telemann, his music nevertheless falling into neglect after his death. Thanks to conductor and Baroque specialist Thomas Hengelbrock, Steffanis musically rich and emotionally intense fifth opera Niobe, regina di Tebe, revived in 2008, is heard here in The Royal Operas acclaimed 2010 production. With a delectable and seductive performance from Vronique Gens as the proud queen punished for defying the gods, supported by male soprano Jacek Laszczkowski, who thrills with his astonishing power at the top of the voice [giving] an exciting approximation of what the castrato could do (Independent), this recording ushers Steffanis forgotten masterpiece to the wider public. Lukas Hemleb's production is tasteful and elegant, and graced with some imaginative coups de thtre. Thomas Henegelbrock conducts the expert Balthasar Neumann Ensemble, and there is first-class singing from a cast of period stylists (The Daily Telegraph)5. Vivaldi: L'incoronazione di Dario
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CD6. Ravel: L'Enfant et les sortilges / Ma Mre l'Oye - Complete Ballet
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Ravel's opera L'Enfant et les sortilges captures an imaginative child's world in which the creatures and objects around him come to life. Wittily portrayed in Colette's inventive libretto and by Ravel's meticulous orchestration, furniture, crockery and animals alike are at first provoked by the child's appalling behavior, finally helping him after he bandages the squirrel's paw he had previously pricked with his pen. The unforgettably enchanting Mother Goose translates well-known fairytales into music, including the gently melodic Sleeping Beauty's Pavane, her conversation with the gruffest of beasts, and a final blessing in The Fairy Garden. Leonard Slatkin, music director of the Orchestre National de Lyon and the Detroit Symphony, has made more than 100 recordings that in total have earned him seven Grammy awards and 64 Grammy nominations.7. Caldara: La concordia de pianeti
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This release marks the world-premiere recording and rediscovery of Antonio Caldaras La Concordia de pianeti, a musical serenade of operatic magnitude composed for the court of Austrian Emperor Karl VI, featuring the creme de la creme of the days singers, including the legendary castrato Carestini (Franco Fagiolis part)Unearthed and edited by Andrea Marcon, the piece offers a series of virtuosic arias, breath-taking cantilenas and ethereal duets performed by some of the finest singers of today
Franco Fagioli and Daniel Behle, two of todays hottest vocalists, lead a distinctive cast of early music shining stars, including soprano Veronica Cangemi in a welcome return to Deutsche Grammophon / Archiv. The dynamic La Cetra Barockorchester, one of the most coveted period ensembles active today, lends an idiomatic touch to the program
This is a major new release under the Archiv imprint featuring a world-class cast of singers. The opera is new to the repertoire and the catalogue altogether and has been recorded both in studio conditions and live performances in Dortmund
8. Teuzzone (Vivaldi Edition)
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Teuzzone is the 12th opera recording releasedin the Vivaldi Edition and the first new release by
Jordi Savall in the series, as Farnace (2009) was a
re-issue of the recording released on Alia Vox.
In the galaxy of Venetian baroque operas, Teuzzone
is one of the most exotic of them, and still
totally unfamiliar to music-lovers. This richly
fascinating opera, performed for the first time in
1719 for the Carnival of Mantua, in which all the
protagonists are Chinese, inspired in Vivaldi
some of his most astonishing arias
Teuzzone was performed by Jordi Savall during
the Venice Vivaldi Versailles festival and then
recorded in the same place, in late June of 2010.
The young and fresh vocal cast chosen by Jordi
Savall achieves amazing results: Paolo Lopez,
Delphine Galou, Roberta Mameli, Makoto
Sakurada...
9. Rossini: Petite messe solennelle
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After Il barbiere di Siviglia, the Petite Messe solennelle is Gioacchino Rossinis most celebrated composition. Composed 1862-64, the highly unusual Petite Messe solennelle comes from Rossinis final creative period, divided from his career as an operatic composer by an interval of nearly thirty years and by a radical questioning of the purpose of composition, which was accompanied by an equally spectacular renewal of his musical style. The Petite Messe solennelle was founded as homage to Louis Niedermeyer (d. 1861), Swiss musician and close friend of Rossinis, as recent research has established. For this live recording from 2014, the forces of the orchestre de chambre de Paris and conductor Ottavio Dantone were joined by four outstanding vocal soloists: Soprano Julia Lezhneva, Contralto Delphine Galou, tenor Michael Spyres and bass Alexander Vinogradov.10. Les Contraltos by Delphine Galou, Sara Mingardo, Marie-Nicole Lemieux, Nathalie Stutzmann, Sonia P (2014-04-29)
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