The 9 best guy davenport for 2019
Finding the best guy davenport suitable for your needs isnt easy. With hundreds of choices can distract you. Knowing whats bad and whats good can be something of a minefield. In this article, weve done the hard work for you.
Best guy davenport
1. Questioning Minds: The Letters of Guy Davenport and Hugh Kenner
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"The most intellectually exhilarating work published in 2018 . . . A lasting treasure." Michael Dirda, The Washington PostHugh Kenner (19232003) and Guy Davenport (19272005) first met in September 1953 when each gave a paper on Ezra Pound at Columbia University. They met again in the fall of 1957, and their correspondence begins with Kenner's letter of March 7, 1958. In the next forty-four years, they exchanged over one thousand letters. An extraordinary document of a literary friendship that lasted half a century, the letters represent one of the great andwith the dawn of the age of text and Twitterone of the last major epistolary exchanges of its kind. Students and lovers of modernism will find, in the letters, matchless engagements with Eliot, Joyce, Beckett, Basil Bunting, Charles Tomlinson, R. Buckminster Fuller, Stan Brakhage, Jonathan Williams, and the American modernists William Carlos Williams, Marianne Moore, and Louis Zukofsky. The correspondence ends with Kenner's letter of August 9, 2002, lamenting how they had drifted apart.
The extensive notes and cross-referencing of archival sources in Questioning Minds are a major contribution to the study of literary modernism. The letters contained within explore how new works were conceived and developed by both writers. They record faithfully, and with candor, the urgency that each brought to his intellectual and creative pursuits. Here is a singular opportunity to follow the development of their unique fictions and essays.
2. The Guy Davenport Reader
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The difference between the Parthenon and the World Trade Center, between a French wine glass and a German beer mug, between Bach and John Philip Sousa, between Sophocles and Shakespeare, between a bicycle and a horse, though explicable by historical moment, necessity, and destiny, is before all else a difference of imagination.
The imagination is like the drunk man who has lost his watch, and must get drunk again to find it. It is as intimate as speech and custom, and to trace its ways we need to re-educate our eyes.Guy Davenport
Modernism spawned the greatest explosion of art, architecture, literature, painting, music, and dance of any era since the Renaissance. In its long unfolding, from Yeats, Pound and Eliot to Picasso and Matisse, from Diaghilev and Balanchine to Cunningham and Stravinsky and Cage, the work of Modernism has provided the cultural vocabulary of our time.
One of the last pure Modernists, Guy Davenport was perhaps the finest stylist and most protean craftsman of his generation. Publishing more than two dozen books of fiction, essays, poetry and translations over a career of more than forty years, he was awarded a MacArthur Fellowship in 1990. In poetry and prose, Davenport drew upon the most archaic and the most modern of influences to create what he called assemblageslush experiments that often defy classification. Woven throughout is a radical and coherent philosophy of desire, design and human happiness. But never before has Davenports fiction, nonfiction, poetry and translations been collected together in one compendium. Eight years after his death, The Guy Davenport Reader offers the first true introduction to the far-ranging work of this neglected genius.
The imagination is like the drunk man who has lost his watch, and must get drunk again to find it. It is as intimate as speech and custom, and to trace its ways we need to re-educate our eyes.Guy Davenport
Modernism spawned the greatest explosion of art, architecture, literature, painting, music, and dance of any era since the Renaissance. In its long unfolding, from Yeats, Pound and Eliot to Picasso and Matisse, from Diaghilev and Balanchine to Cunningham and Stravinsky and Cage, the work of Modernism has provided the cultural vocabulary of our time.
One of the last pure Modernists, Guy Davenport was perhaps the finest stylist and most protean craftsman of his generation. Publishing more than two dozen books of fiction, essays, poetry and translations over a career of more than forty years, he was awarded a MacArthur Fellowship in 1990. In poetry and prose, Davenport drew upon the most archaic and the most modern of influences to create what he called assemblageslush experiments that often defy classification. Woven throughout is a radical and coherent philosophy of desire, design and human happiness. But never before has Davenports fiction, nonfiction, poetry and translations been collected together in one compendium. Eight years after his death, The Guy Davenport Reader offers the first true introduction to the far-ranging work of this neglected genius.
3. The Geography of the Imagination: Forty Essays
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In the 40 essays that constitute this collection, Guy Davenport, one of America's major literary critics, elucidates a range of literary history, encompassing literature, art, philosophy and music, from the ancients to the grand old men of modernism.4. Da Vinci's Bicycle (New Directions Classic)
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Da Vincis Bicycle, Guy Davenports second collection of stories, was first published in 1979, and contains some of his most important fiction. Written with tremendous wit, intelligence, and verve, the stories are based on historical figures whose endeavors were too early, too late, or went against the grain of their time. They are all people who see the world differently from their contemporaries and therefore seem absurd, like Pablo Picasso in "Au Tombeau de Charles Fourier," Leonardo Da Vinci in "The Richard Nixon Freischtz Rag," James Joyce and Guillaume Apollinaire in the marvelous "The Haile Selassie Funeral Train." Hilton Kramer ofThe New York Timeshas said, "Davenports conception of the short story form is remarkable. He has given it some of the intellectual density of the learned essay, some of the lyrical concision of the modern poemsome of its difficulty tooand a structure that often resembles a film documentary. The result is a tour de force that adds something new to the art of fiction."
Esteemed writer and translator Guy Davenport's brilliant story collection, first published in 1979, is recognized today as a classic of American fiction. Written with tremendous wit, intelligence, and verve, the stories are based on historical figures whose endeavors were too early, too late, or went against the grain of their time.5. The Hunter Gracchus: And Other Papers on Literature and Art
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ISBN13: 9781887178556Condition: New
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Hardly the typical essay collection, The Hunter Gracchus is better described as a collage of ideas, commentary, and criticism from an eclectic stylist whose sentences ring with clarity and originality. Moving effortlessly from snake handling to Wallace Stevens, these essays take delight in an immense range of topics, including art and architecture, religion, and literature. In one essay, Davenport recalls a lunch with Thomas Merton at the Ramada Inn, where Merton, already the world's most famous Trappist monk, drank several martinis and held forth on the architecture of Buddhist temples. In another, Davenport finds in postwar modernism a catalogue of our lost innocence. In the stunning title essay, he maps out the world of a posthumously published story by Franz Kafka.6. The Death of Picasso: New and Selected Writing
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For The Death of Picasso, Guy Davenport has gathered 27 essays and stories from throughout his career. The whole stands as his choice of the pieces he would have us read today if we are curious about what hes been up to all this time. The result is an exciting and invigorating selection, a testament to one of the prose masters at work today. As the Louisville Courier-Journal noted, "Guy Davenport has few peers. Who can match his broad erudition, his mastery of formspoetry, short fiction, essay, translationand his wizardry with language?"
7. A Balance of Quinces: The Paintings and Drawings of Guy Davenport
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illustrated study of Davenport's graphic works8. 7 Greeks (New Directions Paperbook; 799)
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"Overall, this volume will afford great pleasure to scholars, teachers, and also those who simply love to watch delightful souls disport themselves in language."Anne Carson
Here is a colorful variety pf works by seven Greek poets and philosophers who lived from the eighth to the third centuries BC. Salvaged from shattered pottery vases and tattered scrolls of papyrus, everything decipherable from the remains of these ancient authors is assembled here. From early to later, the collection contains: Archilochos; Sappho; Alkman; Anakreon; the philosophers Herakleitos and Diogenes; and Herondas. This composite of fragments translated by Guy Davenport is the most complete collection of its kind ever to appear in one volume.9. Guy Davenport and James Laughlin: Selected Letters
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ISBN13: 9780393059502Condition: New
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An epistolary exchange that highlights two singular intellects, their disparate approaches to literature and their mutual admiration.
This volume features selections from the New Directions founder's correspondence with Guy Davenport, the polymath artist and author of The Geography of the Imagination. More than simply detailing an author/publisher relationship, these letters depict two fine minds educating and supporting each other in the service of literature.
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